SATURDAY PHOTO
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Down to the Factory
Photographer – Robert Doisneau
“I’ve never examined why I make photos. In truth it’s a hopeless struggle against the idea that one will die. It’s something I’m more prepared for, because one shouldn’t think that every action is temporary and momentary. I try obstinately to stop this time that is passing.” Robert Doisneau.
Robert Doisneau was born in 1912 and grew up in the ‘banlieue’, the urban fringe around Paris. This area was a kind of wasteland, the ‘zone’, home to tramps, gypsies, rag pickers and other marginal characters. It was also a great area in which children could explore and play, a wilderness to fire the imagination. In contrast, his family home
was stiflingly polite and respectable, and he hated it. He entered a craft school at 13 that gave him limited art training. His uncle, a Mayor, gave him his first commission at 17, taking pictures for the council bulletin. He borrowed a camera to work with, but when he handed in the pictures, asked for – and was given – exactly the price of a new Rolleiflex camera. It was on this type of camera, a twin lens reflex taking 12 2 1/4 ” square pictures on a roll of 120 film, that Doisneau was to take own pictures almost exclusively for over 20 years. Doisneau worked for Renault as an industrial photographer until he was fired at age 27. He was called into the French army that same year and worked for the “Resistance” until the end of the war. In 1949, he signed with Vogue and worked there for three years until he was 40. After that, he was a freelance photographer until he died in 1994 in Paris at age 82. He was a shy and humble man who lived simply and took photos mostly of common people in the streets. Click here to see more of his work. He is one of the most famous French photographers.
Today I am grateful for: Jumping
Guess the Movie: “These things are good: ice cream and cake, a ride on a harley, seeing monkeys in the trees, the rain on my tongue, and the sun shining on my face. These things are a drag: dust in my hair, holes in my shoes, no money in my pocket, and the sun, shining on my face.” Answer: Mask, 1985.
Winner: TheExWifeIAlwaysKnewIdBe.
Open Letter to Howard Dean from Tom Haydenby Katrina vanden Heuvel
April 26, 2005
Dear Chairman Dean,
Thank you kindly for your call and your expressed willingness to discuss the Democratic Party’s position on the Iraq War. There is growing frustration at the grass roots towards the party leadership’s silent collaboration with the Bush Administration’s policies. Personally, I cannot remember a time in thirty years when I have been more despairing over the party’s moral default. Let me take this opportunity to explain. (Rest of article here.)
End of Day: Oops, forgot to sign out last night.

















